Seen for the eighth time in July 2013.
I can usually make sense of "The Big Sleep" for maybe an hour after I watch it and then it becomes a jumbled confusing mess again. But what it lacks in coherence, it more than makes up for in style and atmosphere. I don't believe that Bogart was ever more enjoyable than he is in "The Big Sleep," and Bacall keeps pace in impressive fashion. The labyrinthian machinations and motivations intertwining in this convoluted tale are an asset and the need to make sense of the plot here is the hallmark of monomaniacal.
"The Big Sleep" is to be enjoyed for Bogart's brand of rugged sophistication, gruff and savvy, tough and yet at the same time, discerning. He balances a kind of heroic stoicism with a brash wit. It's a treat to watch him work here, a man's man and yet charming to women too, always a few steps ahead of his adversaries even when he's a step behind. And Bacall is at her best as his foil, given lines to keep pace with Bogart's wit, as the dance of mutual flirtation leads them further and further into this mystery.
The supporting cast is all top-notch as well. And the guy who plays the little guy deserves to be singled out for a great performance of a great minor character. But overall it's the aura of mystery and the cool wit of the writing along with some fantastic performances that makes this film such a dazzling experience. Grade A.
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